Film Production and History

Updated June 3, 2026
T
Tarleton State University Library Tarleton State University Library
This is your list in printable form. Simply print this page using your browser's print command.

Film Production and History

Drag items up and down to your preferred order then select the "Save Order" button.
American horrors : essays on the modern American horror film
Waller, Gregory A.
Paper Book
Since the release of Rosemary's Baby in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre...
Black city cinema : African American urban experiences in film
Massood, Paula J.
Paper Book
In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the...
Chainsaws, slackers, and spy kids thirty years of filmmaking in Austin, Texas
Macor, Alison
Paper Book
Winner, Peter C. Rollins Book Award, Southwest Texas Popular Culture Association/American Culture Association, 2011 During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez...
Crafting truth : documentary form and meaning
Spence, Louise
Paper Book
Documentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success. Although...
Hollywood's West The American Frontier in Film, Television, and History
Rollins, Peter C.
Ebook
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop...
The invisible art of film music : a comprehensive history
MacDonald, Laurence E.
Paper Book
A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important...
Laughing, screaming : modern Hollywood horror and comedy
Paul, William
Paper Book
An examination of an extremely popular box office genre - the gross-out movie - Laughing Screaming is a serious study of this unashamedly lowbrow product.
The medieval hero on screen : representations from Beowulf to Buffy
Driver, Martha W.
Paper Book
Few figures have captured Hollywood's and the public's imagination as completely as have medieval heroes. Cast as chivalric knight, warrior princess, "alpha male in tights," or an amalgamation, and as likely to appear in Hong Kong action flicks and spaghetti westerns as films set in the Middle...
Soul searching : Black-themed cinema from the March on Washington to the rise of blaxploitation
Sieving, Christopher.
Paper Book
An engrossing look at black-themed films in pre-blaxploitation Hollywood The sixties were a tremendously important time of transition for both civil rights activism and the U.S. film industry. Soul Searching examines a subject that, despite its significance to African American...
Women and experimental filmmaking
Petrolle, Jean.
Paper Book
Acting as a corrective to the skewed avant-garde history that neglects women, Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even...
The women who knew too much : Hitchcock and feminist theory
Modleski, Tania
Paper Book
Modleski argues that Hitchcock was neither misogynist or sympathetic in his portrayal of women in film. With an analysis that uses psychoanalysis and feminist criticism she shows Hitchcock's approach to be ambivalent to women.
Find this list online

https://librarian.syndetics.com/syndeticsunbound/lp/2227.2795/list/8058

Library staff! You can create and contribute to lists. Contact your catalog administrator or log in here.