Music History & Theory

Updated June 12, 2026
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Tarleton State University Library Tarleton State University Library
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Music History & Theory

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Noise/music a history
Hegarty, Paul, 1967-
Paper Book
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics....
Music is history [electronic resource]
Questlove
Paper Book
New York Times bestselling Music Is History combines Questlove's deep musical expertise with his curiosity about history, examining America over the past fifty years--now in paperback Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapes, whether...
A history of baroque music
Buelow, George J.
Paper Book
A History of Baroque Music is an exhaustive study of the music of the Baroque period, with particular focus on the 17th century. Individual chapters consider the work of significant composers, including Monteverdi, Corelli, Scarlatti, Schütz, Purcell, Handel, Bach, and Telemann, as well as...
The Cambridge history of medieval music
Everist, Mark
Paper Book
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything...
On music theory and making music more welcoming for everyone
Ewell, Philip
Paper Book
Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous hurdles due to their racial identities. In On...
Audacious euphony chromaticism and the consonant triad's second nature
Cohn, Richard Lawrence
Paper Book
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief,...
The Routledge companion to the contemporary musical
Sternfeld, Jessica, 1971-
Paper Book
The Routledge Companion to the Contemporary Musical is dedicated to the musical's evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and...
A history of American music education
Mark, Michael L.
Paper Book
A History of American Music Education covers the history of American music education, from its roots in Biblical times through recent historical events and trends. It describes the educational, philosophical, and sociological aspects of the subject, always putting it in the context of the history of...
Race music black cultures from bebop to hip-hop
Ramsey, Guthrie P.
Paper Book
This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family...
Western music and its others [electronic resource] difference, representation, and appropriation in music
Born, Georgina.
Paper Book
This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how...
Interpreting music
Kramer, Lawrence, 1946-
Paper Book
Interpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully--"interpreting music" in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work,...
Music theory through musical theatre [electronic resource] putting it together
Franceschina, John Charles, 1947- author.
Paper Book
Music Theory through Musical Theatre takes a new and powerful approach to music theory. Written specifically for students in music theatre programs, it offers music theory by way of musical theatre. Not a traditional music theory text, Music Theory through Musical Theatre tackles the theoretical...
Modern records, maverick methods technology and process in popular music record production 1978-2000
Bennett, Samantha (Music professor) author.
Paper Book
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. ...
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